All Jan Weenix 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
43219 A Deerhound with Dead Game and Implements of the Chase  A Deerhound with Dead Game and Implements of the Chase   mk170 1708 Oil on canvas 173.5x157cm
67437 A monkey and a dog beside dead game and fruit, with the estate of Rijxdorp near Wassenaar in the background  A monkey and a dog beside dead game and fruit, with the estate of Rijxdorp near Wassenaar in the background   1714 Oil on canvas 172 X 160 cm (67.72 X 62.99 in)
65934 After the Hunt  After the Hunt   1665 Oil on wood 44,7 x 34,5 cm
67699 After the Hunt  After the Hunt   1665(1665) Oil on wood 44,7 X 34,5 cm
70218 After the Hunt  After the Hunt   Medium Oil on wood Dimensions 44,7 X 34,5 cm
90963 Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple  Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple   1694 Medium oil on canvas cjr
95484 An Italian Seaport  An Italian Seaport   circa 1666(1666) Medium oil on canvas cyf
69955 Een aap en een hond bij dood wild  Een aap en een hond bij dood wild   Medium Oil on canvas Dimensions 0172 ?? 160 cm
27357 The Departure of the prodigal son  The Departure of the prodigal son   mk56 oil on canvas
Jan Weenix
Dutch Baroque Era Painter , Amsterdam 1640/42-1719 Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.



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